freska already released his first ep on oliver koletzki s fabulous label >stil vor talent<. his sound goes deep under your skin and draws perfect pictures in your mind. take a deep breath, it will surround you intimately. the remixes are picture perfect too. freska is one of the newest artist’s on karateklub, but there s another. before he will appear with his on ep here, he just remixed >reflections< and showed his magnificent way of interpreting electronic music. on the other hand, we have our rising homeacts - super flu, with a just as excellently remix. elicious!

this is isometrics second release on disctrict of corruption. after their insert coin ep (doc007), the swedish trio returns with three new tracks. incl a remix by label boss aaron hedges in collaboration with red robin, known from releases on platzhirsch with his friend philipp groth under the name pachulke & sohn

and here is the kitsuné maison 3 compilation dlp. kitsuné means >fox< in japanese. this compilation could have been called >lair<. put the records on your decks, try to restrain from playing it too loud, thanks for the neighbours..

next cadenza killer ep !! the four cuts on this doublepack are monsters all, between eight and 13 minutes apiece. coming hot on the heels of similarly sprawling releases from ricardo villalobos and luciano & thomas melchior, they confirm cadenza s commitment to stretching electronic dance music s form to fit a more expansive frame. these are anthems, but they re anthems of a different sort. while too many hits beat their riffs like dead horses and treat their listeners little better, loco dice turns their attentions to gauzier, wispier elements: ghost melodies, feathery percussion, iridescent timbres that flash once and are gone

der funkigste techno der diese woche auf reisen geht vom bizarren aufsteigerlabel aus uk. tip!

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

connecting the doors remixes part 1 of 2 feat 2 deep grooving king britt mixes not to be missed

the maps with a new release called >dont fear< and sounds like ulrich schnauss playing too much spiritulized on no sleep and its utterly brilliant

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

great minimal techhouse remixes by red kite !!!

the strongest hard techno label with another slammin & phunky 4 track ep! rolling, driving drum patterns infected with drum n bass / break beats combined with great little melodies with a trancy feeling !!

don mac hands us the next outing on mr cs superfreq label quality minimal house it is too, with warm basslines, techy chords and catchy hooks all over the place! being caned worldwide already by james zabiela, jo mills, ivan smagghe, kiki

with this brand new ep, his first one on a non-french label, d vincent turning back to 80s electro pop style, espescially on the a side >caps lock<, which could be the instrumental part of a depeche mode tune. not to be taken too seriously, of course ! >less< is more looking towards the actual electro-techno dance floor, and the other b side is a remix of bazoline founder doctor olive s the end of the beginning<. the original was released on parisian label missive music in october 2005 and played, a.o., by laurent garnier. this d. vincent remix was previously unavailable and definitely deserves exposure. in case of laurent garnier,doctor olive,dj hell,jack de marseille,lars sandberg,…!

well this little gem has been floating about since late last summer and thankfully will be getting a proper 12 release very soon. balearic disco heaven much along the lines of reverso 68, it comes across like indeep and chris rea in the blender together with it’s driving guitar licks, the unhurried walkin bassline and the soft kalimba touches. bound for big things this late summer and hopefully golden autumn too. theres the added bonus of a mudd remix of the b side track slow burning. i promise you folks its been worth the wait

next release from this young and fresh label from austria !! for fans of sven wittekind, dj kaoz and the other hard jocks.. check b1 !!

the sixth sequel in the traffic signs series convinces once again with its special signature sound. dry, acid-driven, stripped down but featuring enthusiastic structures and well-chosen sounds, this is what traffic sounds is all about.>coming down< on the a-side is a lively acid-packed track. opening and closing filters, delays and loads of nice effects make this a more than useful peak time weapon! >back on crack< on the flip brings a heavy dose of pushing chords, fizzing open hi-hats and cracking snares all around. don t take the track s title too seriously!

rich production, heavy beats, huge b-line and gritty male vocal combine to make this record a guaranteed floor-rocker. cuba s favourite scouse cousins rhythm code make a welcome return to the fold, twisting the original into a slamming jacker with a groove to-diefor. dub versions supplied on the wax too for the vocal adverse. support from laurent garnier, sasha, steve lawler, darren emerson

great six track ep by bjoern stolpmann with excellent easy going minimal tech !!

let me out is the dirty, gritty offspring of guildford based producers born tricky (jeremy duffy) and mr frisk (ryan stanford). having set up their studio only a year ago these boys have proven themselves as some of the most versatile producers in the business, having turned their hand to drum and bass, house, breakbeat and even live bands in their short production careers. they have engineered for a number of local acts too, enhancing them with their superb production skil

shooting stars john dahlback and dk7s mark o sullivan strike 2 killer blows as they launch their new label jm recordings. i saw your eyes is a mid set acid triggered tech stomper,driven by a sinister vocal hook, a pure celebration of those of us who have flown too close to the sun. while when you caught the sun clears the air with its lush crisp synth sounds and driving bass. the gravity pull of this stunning release will drag you into its orbit which is of course the centre of the dancefloor

total abgedrehter electro techno für ausgelassenen partyspass

you make me spill was already featured on the recent compilation from brussels best new club, dirty dancing. now picked up by suicide a&r geoffroy aka mugwump, and backed with a killer and dirtier low slung funk remix by suicides shapemod whos just released his amazing debut 12 with jamie lidell and snax (from captain comatose) on suicide, loves too much. also the engineer and bass player for eskimos supergroup the lotterboys and previously terranova, shapemod has given you make me spill the berlin sonic treatment while setting the funk factor even higher. to complement this fantastic pairing of mixes,arpolis is a serious piece of border community style atmospherics melt down with an electronic disco

paul hazendonk is considered as one of the new faces and talents in both national and international techno and tech-house scene of today. mhd born in paris, in 1979, mehdispoz is one of the upcoming french producers... a banging split ep for this new kill brique release with 2 strong acid tracks for the floor and a duriez dj tool (beware of the headache, this one is not to be listened to for too long) – but i m sure you know where to find the aspirin

after the fulminant launch of the label, modus operandi starts into the second round. this times releasing two new tracks of the gebrueder ton. der gelbe fluss streams like a sonic-river and carries anybody on who dares to come too close to the dancefloor. especially the second track denk an mich captures the ears of its listener. glass projekte – the latest track of the einmusik trio – this track develops massive, but not too heavy. and after the saw comes in it is all clear: go for the dancefloor, thats right. a very round thing, this record

next output from the beginerz posse - subtle tech house number with a chopped ska vocal - fuckin rockin

after his comeback single for playhouse we salutÉ nick calingaert back on the block with this detroit influenced italo stormer. analog feeling is the key word here ! straight jacking chicago groove with a murder bassline and soaring strings takes the track to higher level while slightly misjointed analogeffects tackles your toes. phonique who is currently riding high with remixes and releases on fine, simple and buzzing fly turns >through< into summer maddnesswith groovy drumprogramming and a strong breakdown perfect for those outdoor parties we all wait for !holmar filipsson (from mr negative/thugfucker fame) is keeping it real with a even more summery feel with light melancolic string work and minimal beats. with his own words >this is happy house as its best< – we think so too !

das neue label von krikor mit mixen von chloe, safety scissors, pentile....

para ones music is utilitarian and proud of it. but the musical experiences it stems from are too violent and complex for epiphanie to be soluble in sweat, be it saturated with drugs.. these fourteen tracks are merciless and they let it be known..

roses on the wall has the voice looped over an unearthly background richly orchestrated with accoustic guitar chords and flute like synth solo in a classic larry heard vein the b side features jazzy grand piano chords and charming pizzicato strings with tricky beat mastery this 3 tracker holds the balance between song and dancefloor sensibilty so elegantly almost too beautiful to believe

freestyle man aka sasse of moodmusic and a fellow scandinavian brings us this kidn of a remake of francky knuckles 80s house classic <baby wants to ride>

after the big success of >broken dream< few months ago, massively supported by djs like silicone soul, john acquaviva, jack de marseille and ewan pearson (who included the track in his famous >scihifi< mixed compilation), here are the very awaited remixes by david duriez and fafa monteco. david duriez delivers two efficient and hypnotic electro house mixes that for sure will cause serious damages on the dancefloors. as for fafa monteco, he turns the track into a wonderfull piece of deep house. included too some parts and the acapella to make your own mix

nothing too jacking nothing too banging this ep rides a nice midtempo groove right into the sunset with an old school deep house vibe mixed with some funked out cut up sample work loads of nice slapping bass and disco fied samples kicking things off right on while closer to mine goes for some hypnotic loops bouncing percussion and snazzy synth work lots of nice instrumentation and grooves throughout this ep definitely a feelgood record for the heather ecb and lawnchair general fans without a doubt

dave taylor and jesse rose have been working together as induceve for about 6 years now. this is their second release on dubsided and as the title track >warehouse shit< has been knocking about for a minute, its good to see the vinyl is out now. a1 warehouse shit – so there s going to be comparisons with >higher state of consciousness< but what the hell, it smashes the floor every time its played. its squelchy, bumpy, and all pinned down by a simple but effective groove. b1 stay cool - proper underground mischief. bumps along nicely. as the title suggests this track stays cool, doesn t get too hectic - just a bass line, relevant hooks and automated lead synth line. b2 why burn - cool, heavier and altogether less deliberate. the deeper side of induceve with a definite chicago, sneak-type feel

einfach nur cool dieses guido schneider album !! mit seinem musikalischen charme clickt, tript und groovt guido sich in die herzen der minimal liebenden..

the next big two tracks of the russian kosmonauts scsi-9 !! tom clark makes a great remix which has a little vibe of john tejada !!

13 unreleased tunes by: ricardo villalobos, dimbiman, dandy jack, pantytecs (sammy dee and zip)melchior productions (thomas melchior), horror inc. (akufen), copacabannark (cabanne and ark), manmadescience (soulphiction plus friends), stephan laubner aka stl, narcotic syntax, matthew dear as jabberjaw, markus nikolai, sense club (ricardo villalobos & luciano).

ein kleines album von toktok auf bomzh !! für toktok verhältnisse ist die musik relativ ausgeruht, oft nur mit wenig zutaten und bei >la tactique toktok< kam es zur zusammenarbeit mit mc niro.

repress

>>> part 2 contains remixed by jon gaiser / marc houle & heartthrob... played by richie hawtin & co

ltd 7inch collectors item

mood ii swing displaying thier talents here with three mixes of this soulful vocal number on defected offshoot soul heaven 2 of these mixes are on the deep ny garage mode and the dub is a full on tough club pounder original mix is pretty cool too and combines a smooth vocal with a big low slung bottom end and some deep chord patterns

too big big house cuts both flavoured with some acid vibes while the a side goes the more spacey and proggy way a must have

ghettofunk vs blacksoul start off with a jason hodges style cut gotta feel it tough beats hip hop vox cutups and bouncy bass the a2 cut help me thru a more layered track with vocoded vox fx and lots of quirky feel flip for the debutant tracy coopers 2 tracks uptown is a jackin jazzy groove with live horns big upright bass and well placed sampling definitely a track for the heather/sneak crowd green grass is a really funky slice of hybrid jazz with latin bassline and bluesy piano stabs the horns stabs work well within too

the danish born producer and dj christian bloch, actually living in san francisco (usa),is well known for his releases on simple muzik, deep night essentials, ll records, tresor records, reconstructed records and on funque droppings (bloch s own label). his edits of two tracks of plastikman s >closer< album and sean deason s >the shit< brought him a great reputation as remixer, too. his musical style ranges from berlin dub through classic detroit beats to english minimalism

the best of soul classic!!!

for the third release on alphahouse records, we have a very unique techno track written by butane and someone else.. after a too many beers and cheesesteak sandwiches, the duo came home to the microphone to record their epic love story about a scantily -clad mannequin who caught their attention earlier in the day..remixes by dapayk (mos ferry/resopal), jeremy caulfield (dumb unit)and quenum (num/cadenza

another slamming track from the berlin based electro house pioneers. taken off their album >eat books< this track features a phat remix of >pokerflat< mastermind steve bug. his minimal remix >fly - cause there are too many traffic signs< is yet already a favourite among the electro & minimal usual suspects

the third release from nachtfrequent brings us four new fresh tracks from leo cubanero. two of them – play and english mafia – were layed down in co-operation with patrick di stefano(generalelektrik). the first tune is a very clubby track sporting some eccentric dodgy sounds. minimal oppressive but easily triggerin your dancing feet at the same time. the following play plays slower but has however a very funky touch with mad pitched vocals and the jostling basslines. rigth here and anywhere else this track is a burner. funky fat sounds and vocals which seem to come out directly of the lunatic asylum. and finally english mafia which weaves in the garb of minimal house a very nice carpet with memorable elektroid sounds. fine pads - not one gram too much

boot that takes the vox from a group called athlete and drops it over a very eric prydz styled warm filtered house track rumoured to be the handwork of steve mac too